Entries Tagged as 'the murder mystery: SHOTGUN START'

Wednesday: Chapter Two

 

     I guess a brief personal introduction is in order here.  My name is Jonathan Walsh.  Date of birth: twenty-nine years ago, give or take a few months.  Birthplace: pretty much irrelevant.  My father was a career Navy officer, and we moved a lot.  About the longest single span of time I ever spent was three years of high school, when he was stationed just down the road in Long Beach.

     Service brats often don’t have a lot of friends, and I guess I fell into that category, but there was always a golf course wherever we lived, so I kept busy.  By the time I was ready for college, there were a number of golf scholarships sitting on my doorstep, but I decided to play it different.  I enrolled at the University of Colorado, Boulder, majored in physics, philosophy, and snowboarding, and pretty much skipped the golf.

    After managing to graduate, I worked a few years in the construction business, first in Denver, then in Houston.  I’ve never minded hard work, but when I saw how dependent the construction racket can be on a shaky economy, I started looking for other things to do.

     One day, out of the blue, I got a phone call from a hotshot developer in Dallas.  He opened with, “A friend of a friend says you go both ways.”

     “Uh…”

     “Sorry,” the guy chuckled.  “I meant on the golf course.  You play righty, and lefty?”

     “Oh.  Yeah, I can do that.  What’s the occasion?”

     The guy chuckled again softly.  “Just the usual.  I wanta crush somebody’s nuts.”

     And thus began my return to “competitive” golf.  I generally played with a partner, and I let him set the stakes and call the shots.  My job was simply to provide our “team” with a certain ineffable edge.  I did it pretty well.  Real well, in fact.  At the end of six months, my game was sharp enough to take to the Tour’s qualifying school, and I’d saved enough money to afford a lengthy apprenticeship.

     I eked my way through Q-school, and hit the road.  Literally:  I bought myself a used three-quarter-ton pickup with an oversized camper shell, and turned it into my home-away-from-home.  It’s got living/sleeping quarters, kitchen, workshop, even an electric piano.  I drive it from tournament to tournament, find a secluded spot in a parking lot, and I’m home for the week.

    I had a lot of fun as a rookie on Tour, and I learned a lot, too.  What I hadn’t learned, though, was how to win.  It didn’t take a genius to realize that what was missing from my game was the mental side.  Most of us, after all, are about on a par physically.  What separates the guys who win from the ones who merely collect checks is the ability to excel at what’s called “course management,” and the really successful players excel at what I personally think of as “life management.”

     So I’d vowed to clean up my act for this, my second year.  I’d embarked on a good training and practice regimen.  I’d worked on my diet.  And I’d started experimenting with yogic breathing, inspirational reading, and ballet (though I didn’t say much about that stuff out loud).

     I’d thought my prospects were pretty good heading into L.A., and now where was I?  Standing on the 17th tee, surrounded by hundreds of people who had no idea who I was, with a dead– probably murdered– teammate lying at my feet, and an L.A. County detective staring at me and this actor fella lounging on the grass.  What a start to the new year.

*

     Within minutes the area was swarming with cops.  Security is usually pretty good at Tour events, but I’d never seen a show like that before.  Stansfield had the tee box and the area around Harris’s cart taped off.  He had a couple of cops run ahead, gather up D’Alembert, Llewelles, and the Bill Burt group, and escort them to the clubhouse.  Then he dragged Shipwreck, Cox, and me down the fairway, through 18, and up the hill.

     There weren’t a lot of available rooms in the normally spacious clubhouse, but Stansfield managed to commandeer a small office on the second floor.  The other players were eventually delivered, in spite of their protests.  Bill Burt’s group had carded a net eagle on 17 and had gotten off well on 18,D’Alembert had been lining up a putt for net birdie on the 17th green, and now it looked like their golf was over.

     Detective Stansfield sat everybody down and told us to shut up.  He wasn’t a big guy, but he made the room seem way too small.  It wasn’t so much the nervous, four-steps-and-a-turn pacing, as the way he held his hands.  Like he was about to reach out and strangle somebody.  Maybe he needed a cigarette.  He stopped, facing us and awkwardly planting his hands on his hips.  His malevolent glare swept each of us in turn, “us” being D’Alembert, Llewelles, the Burt foursome, Bill Burt’s caddie Boxcar, my caddie Shipwreck, the actor Brent Jay Cox, me, and two uniforms.  He exhaled loudly, like he was disgusted with all of us, and told the two cops to wait outside.

     “I’ll be brief,” he muttered.  “My name’s Stansfield.  Detective Stansfield, L.A. County Sheriff’s Department.  It looks like I’m here investigating a murder, and it looks like one of you is the murderer.”

     We just sat there.  In silence.

     Stansfield began pacing again, talking almost to himself.  “Maybe I’m jumping to conclusions.  Maybe this isn’t a murder.  Maybe somebody else killed him.  But I’ll tell you what I’ve seen so far.  Howard Harris was alive when he arrived at the tee.  You folks, inside the ropes, were the only ones who could get close to him.  And now the guy’s got a bullet in his head.

     “I’ll tell you something else.  This morning, the department got an anonymous phone call.  Said something pretty unusual was gonna be happening out here.  Said we might wanta have some folks on the scene when it happened.  Now I’m not saying that murder in L.A. is exactly ‘unusual.’  I wish it were.  What I’m saying is that the department does not like being made a fool of!”

     As Shipwreck might say, you coulda heard a moose fart.

     Stansfield lowered his voice.  “I’m not going to keep you long.  For now, we’re just gonna go around the room and have each of you introduce yourself.  Name, occupation, where you live, relation to the deceased. Let’s start over here.”

     He pointed to Christy Mathewson McKenny.  The lanky pitcher stood up nervously.  In the smallish room, he looked about ten feet tall.  I could only imagine how tall he must seem to a batter.

     “You don’t have to stand,” growled Stansfield.

     McKenny took a moment to absorb that, then sat down with a thump.  “Uh, Christy Mathewson McKenny.  Pitcher, Los Angeles Dodgers.  Most folks call me ‘Choo-Choo.’  Let’s see:  I live at Marina Del Rey, got a boat there.  And, I guess me and Mister Harris talked a bit.  I’m tryin’ to decide whether to play out my option year with the Dodgers.  They’re jerkin’ me around, and my agent wasn’t helpin’, so I fired him, and Mister Harris sorta wanted to represent me.  Actually, he was kinda pressurin’ me.  Not so’s I’d go and kill him, though…”

     Stansfield coughed.  “Thank you, Mister McKenny.  That’s enough, for now.”  He looked at Daniel Breck.

     The soap star frowned his trademark I’m-so-put-upon frown and locked Stansfield in his even gaze.  Up close, the shock of blond hair looked much thinner than on TV.  “Daniel Breck.  Actor.  Bel Air.  I had as little to do with Howard Harris as I possibly could.”

     “Would you care to expand on that?” asked Stansfield.

     “No.”

     The detective shrugged.  “Okay….  Next?”

     “My name’s Mikey.”  This from the well-known comedian.  Itook him to be about forty years old.  He wasn’t so much a nerd, as somebody who was simply physically insignificant.  When he was younger, he probably got mistaken a lot for a bellhop.  The curly black hair was his signature:  It was three inches high, but only on top.  Like he had it permed in a toaster.

     “Excuse me,” Stansfield interrupted.  “Could we have your full name?”

     “Oh.  Sure.  Michael Schwatz.  I just go by ‘Mikey.’  I’ve got a comedy club on Sunset, ‘Wiseacres.’  Hottest place in town.  If you want to make it, you’ve gotta be there.  Hell, I don’t know why I’m telling you this.  You all know who I am.”

     “We do indeed, Mister Schwartz,” noted Stansfield.  “Now, if you’ll just tell us where you live, and your relation to the deceased.”

     “Right.  Uh, Westwood.  Like to be where it’s happenin’.  And Harris?  Well, everybody knows he and I’ve been feudin’ for a lifetime.  He won’t book his people into my place.  Which is rich.  His people need me a hell of a lot more than I need them.  It’s like this story I was telling Big Bill:  A guy decides to jump off the top of the Empire State Building.  So he’s talkin’ to the elevator operator on the way up–”

     “Thank you, Mister Schwartz.”  Stansfield turned to Bill Burt, who just smiled.

     “I’m the workin’ slug here.  Name’s Bill Burt.  Tour professional.  Jupiter, Florida.”  He paused to pick some lint from his well-pressed slacks.  “I’m here to play golf.  Never met the guy.  Anything else?”

     Stansfield shook his head.  “Not now.  Thank you.”

     Simon D’Alembert shifted uneasily in his seat and introduced himself.  He looked even more gawky and uncomfortable sitting down than he had, standing on the 17th tee.  “I’m a film director by trade.  I’m currently in development on a rather large project.  It’s quite hush-hush at this point–”

     “You mean that’s the response you get whenever you bend somebody’s ear,” joked Mikey.

     D’Alembert jutted his chin our angrily.  “You’re the one who came begging for a part–”

     “Sure,” the dumpy little comedian laughed.  “Can’t you see it?  Me: the young Jesuit missionary, out to convert the savages?  talk about casting against type.”

     Daniel Breck, Mister Handsome, sneered, “Maybe someday he’ll do a remake of ‘The Creature from the Black Lagoon.’”

     “You can coach me, asshole.”

     The detective put his hands up.  “Mister D’Alembert, perhaps you’d like to finish?”

     “Of course.  Where I live: Brentwood.  With my wife of thirty-five years.  Did I know the man?  Of course I knew the man.  He practically ruined my life.  This project was on hold for years, while I tried to talk Wilhelm Scheid-”

     “The late Wilhelm Scheid,” teased Mikey.

     “The late Wilhelm Scheid into playing the lead.”  D’Alembert glared at Mikey, then at Breck.  “Harris represented Scheid.  The one actor of the age who could do justice to the role, and Harris wouldn’t let him even consider it.  Don’t ask me why.  And this after I’d told the world that nobody else would do.”  He stopped, then lowered his voice.  You could almost see him trying to ride down his anger.  “And of course he’s dead now.  Scheid, I mean.  I guess Harris is, too.  Good riddance, as far as I’m concerned.”

     My turn arrived.  I’d tried to towel the blood off of my hands and arms on the walk to the clubhouse, but I could tell, sitting there, that everyone in the room was staring at whatever I’d missed.  Mightily embarrassed, I croaked out a brief bio, closing with the pathetic statement that I’d just met Howard Harris the night before.  What a cliché.  If there’d been an acting coach in the room, he would’ve been shaking his head in despair.

     The eyes-on-the-floor mood was relieved, immediately, by our make-believe doctor-for-the-day.

     “Hey there!” he began cheerfully.  “The name’s Cox, Brent Jay Cox.  Actor.  Glad to meet you all.”

     “Excuse me,” the detective interrupted.  “I’m a bit confused here.  You’re not one of the players?”

     “Me?  Hell no.  I’m just a witness.  Saw the whole thing.”

     “Saw what whole thing?”

     “Well, you know.  All these guys standin’ around, tellin’ lies, checkin’ out the babes.”

     Stansfield frowned.  “So you’re not one of the players?”

     “Nope.”

     The detective sighed.  “Then I’ve a notion to politely ask you to leave, but from the sound of things you’d probably just run off to the press and make things worse.”

     “Probably,” agreed Cox with a smile.

     “Well, for now, then, just sit there and keep quiet.”

     Stansfield glanced up at Boxcar and Shipwreck, who were slouching beside the door.  He decided to dispense with their input for the moment, and turned to Llewelles.  “Last, but not least…”

     “I should hope not,” chortled the old man.  He stood up, cleared his throat theatrically, and scanned the room with his steely blue eyes.  He was in great physical shape for a man of his age.  “I think you for the floor.  For those of you not born in the early years of the last century, my name is Grantham Llewelles.  Once star of stage and screen.  Some of your grandmothers would remember me fondly, no doubt….  Unlike our esteemed director,” he bowed to D’Alembert, “I mus confess a happy married life has eluded me.”

     “Five times,” laughed Mikey.

     “Six, actually.  I always count Clarissa twice….  Where was I?  Ah yes.  The question of domicile.  Beverly Hills, of course.  A modest bungalow, but quite well situated.  When I am called away, at the last, I intend to leave it as a halfway house for struggling artisans.”  He looked condescendingly at Brent Jay Cox, who just looked at him and smiled.

     “I certainly knew the man,” Llewelles went on.  “And I think I speak for all of us– all of us in the entertainment world, in fact– when I say…  If you don’t mind, I’d like to quote La Bruyere’s reaction, on hearing of the death of Piso:  ‘It is a great loss,’ he said.  ‘He was an honest man, who deserved to live longer.  He was intelligent and agreeable, resolute and courageous, to be depended upon, generous and faithful….  Provided he really is dead.’”

*

     Things degenerated from there, and Stansfield eventually tossed us all out.  All of us, that is, with the exception of yours truly.

     He looked a bit undecided as the door closed.  “You want coffee?” he asked.  “I’m gonna step outside and grab a cup.”

     He hurried from the room, leaving me to wonder what he needed me for.  A moment later Brent Jay Cox hustled back in.

     “This guy sure works fast.  Is he givin’ you the third-degree?  You’ve seen all this on TV, right?  I mean, you’re a sharp guy.  You don’t have to let him push you around.”

     “We haven’t even talked.”

     “He’s probably tryin’ to make you feel comfortable, so you’ll make a mistake.  Say something incriminatin’.”

     “He just went out for a cup of coffee,” I explained.  “I didn’t even know the guy.”

     “Hey, fine by me,” this busybody said.  “You’re the guy with all the blood on his clothes….  Look, I’m gonna give you my card.  This is my home, this is my service.  I took some pre-law in school.  If you need help–”

     Just then Stansfield walked back in.  He looked at Cox, then at me, sat down and blew on his coffee.

     “Just leavin’, chief,” said Cox.  Then he winked at me.  “So if that engine of yours needs a tune-up, gimme a ring, and I’ll take care of it while you’re out on the course tomorrow.”

     “We’ll see,” I mumbled.

     “No problem.  The brother-in-law’s a crackerjack mechanic.”

     And with that he was gone.  Stansfield gave me a funny look.

     I shrugged.  “Never saw him before.”

     Stansfield took a tentative sip of his coffee, then set it down on a nearby table.  We sat for a while.  Was I supposed to say something?  Confess?  I looked down at my blood-stained shirt.  Maybe I did need a lawyer.

     Stansfield said quietly, “I knew your father.”

     I tried not to react, but it was a helluva shock.

     “At Long Beach,” he went on.  “He was… what do they call ‘em?”

     “Master-at-Arms.”

     “Right,” he nodded.  “Top cop.  We worked together ona few cases….  He retired now?”

     “Yeah.  He and my mom live in Florida.”

     He nodded again.  “Good place.  Away from the crazies.”  Then, in the same casual tone, he said, “So, do you want to tell me about it?”

     Just like that:  “So, do you want to tell me about it?”

     “Tell you what?” I gasped.  “I never met the guy.”

     Stanfield took a long sip on his coffee.  “You know that phone call I mentioned?  It really happened.  We had an entire goddamn squad-room out here this morning, and Harris still gets himself killed.  Talk about a kick in the teeth.”

     I just sat there.

     “The Commissioner called just now,” he continued.  “He wants to know why somebody’s not behind bars.”

     I gulped.  “What’d you say?”

     Stansfield stood up and walked to the room’s small window.  “I told him that if I had to arrest somebody, it’d have to be you.”  He looked out the window for a while, then turned to me and smiled.  “But then we came up with a better idea.”

*

     “No.”

     “No,” I repeated.  “I am not playing the stoolie.  Excuse the language, but no fucking way.”

     Stansfield, sitting across from me, took a last sip of his coffee.  His bunchy, dark-blue suit looked awfully uncomfortable.  “You don’t seem to understand.  You don’t have any choice.  My commissioner talked to your commissioner, and it’s settled:  You’re going to cooperate.”

     “Meaning what?”

     “Meaning you’re going to help me find out who did it.  The Mounties get their man, and the Tour gets its image scrubbed clean.  Everybody goes home happy.”

     “You’ve got to be kidding.”

     Stansfield tossed his empty cup at a waste basket and missed.  “I’m not real good at kidding.”

     “But why me?  You know I didn’t do it.”

     “I do?  You’re the guy with blood all over you.”

     I pushed myself out of my chair, walked over, and picked up the styrofoam cup.  “I just got to town two days ago.”

     “You were standing right there,” Stansfield said.

     “There were five hundred people standing right there,” I snapped back.  Then I looked down at my blood-smeared arms.  “And I’m the guy with blood all over him.”

     Stansfield took the empty cup from me.  “You are, indeed.  So ere’s how it works:  You’re playing the tournament, but you’re also working for me.  You hang out, get to know these people, let me know anything you hear, anything that doesn’t sound quite right.”

     “And if I don’t?” I asked.

     He tossed the cup at the waste basket again and missed.  Again.  “Your dad was a cop.  You know how these things go down.”

     What the hell was that supposed to mean?

     “It means we can be friends,” he explained, “or….”  He paused.  “Actually, that’s your only choice.”

     I closed my eyes and took a deep breath.  Then I said, “You know what?  I think I’ll take that cup of coffee now.”

*

     Stansfield just stared at me.  I shrugged my shoulders and mugged at him.  “That cup of coffee you offered?” I said, motioning toward the door.  “I’ll take it now.”

     He got the hint, but he clearly wasn’t happy.  As soon as he left the room, I sat down and started thinking.  Hard.

     He returned in a few minutes.  I blew on the coffee, set it down, and said softly, “I tell you what.  I know, and you know, that I’m not a suspect here, so let’s just cut the crap on that one.  And I seriously doubt that your commissioner talked with my commissioner.  I’m not even all that sure my commissioner could pick me out of a police line-up, between me, a drunk, a dwarf, and a drag queen.”

     Stansfield frowned down at me.  “So what’re you saying?”

     I smiled.  “What I’m saying is:  You can’t force me to help you.  But it’s okay, because I volunteer.”

     “What?”

     “I volunteer,” I beamed at him.  “That way you don’t have to draft me.  I’ve already enlisted….  Anyway, look at it from my point of view:  A guy in my foursome gets popped, I’ve got to be curious.”

     I leaned back and took a sip of my coffee.  “And you’d be amazed at all the trouble a guy like me can get into, with all the free time and distractions of a big-time golf tournament.  I’m probably better off hangin’ with the cops, anyway.”

     Stansfield snorted.  “This won’t be no joyride.”

     “Maybe not,” I shrugged with a smile, “but when we solve the thing, we’ll have the thanks of a grateful nation.  On top of me winning the goddamn trophy.”

    He shook his head.  “And getting the girl, too, I suppose?”

     “Why not?”

… 

Wednesday: Chapter One

    

     How many guys would give their eye teeth to walk up the 18th fairway at one of the premier events in American golf, tied for the lead?  Thousands of raucous fans cheering you on to make one final, triumphant birdie.  Men shaking their heads at what a lucky dog you are, kids straining to memorize your face and your every mannerism, beautiful women with who knows what on their minds.

     My only problem, when I finally got to take that fateful walk, one Sunday afternoon at the Los Angeles Open, was that I wasn’t there just to play golf.  I’d spent the previous four days– and nights– trying to solve a sensational Hollywood murder in which I’d been an unwitting, and very unwilling, suspect.  By the time I trudged up the 72nd fairway, I was wounded, worn out, half-starved, mad at myself, andfeeling less than impressed withthe rest of mankind.

     Okay, maybe that’s a bit melodramatic.  I wasn’t exactly “wounded,” and”half-starved” might be a stretch, but I was definitely not happy with all the crap I’d been through since the claxon had sounded at high noon on Wednesday.  I don’t know whose bright idea it was to use a shotgun format for the start of the celebrity pro-am at the L.A. Open, but you can bet your last pair of socks nobody’s gonna admit to it now.

 

 

CHAPTER ONE

 

     I found myself at the 17th tee on a beautiful February day: mid-70′s, the sky clear andblue after a recent rain, just the hint of a breeze.  With me was Bill Burt, the Tour’s leading money-winner the past two seasons, and about as good-looking andcharming a guy as you could find.  Tall, tan, blond, well-dressed, and ruggedly handsome, he set the bar for aspiring young golfers.  On his pro-am team were Christy Mathewson McKenny, the Dodgers’ lanky young fastballer; Daniel Breck, the totally testosterone daytime soap-opera star; anda way-too-cool stand-up comic who went simply by the name of Mikey.  I didn’t know what their handicaps were, but their show-biz reputations alone were sure to draw a stadium-sized gallery.  Also part of the team was Boxcar, Bill’s legendary long-time caddie.

     Then there was my team: a fat, bald “personal and professional services representative” named Howard Harris; a once-upon-a-time French film director by the name of Simon D’Alembert; and Grantham Llewelles, a well-preserved matinee idol from way before my time.  I’d only met these three prophets the night before, andI still didn’t understand why they’d requested me.  This event only had twenty-two teams, and I was a second-year pro who’d finished 99th on the money list the year before.  You’d think there’dbe somebody else they’d rather be playing with.  (Also along for the ride was my own faithful caddie, Shipwreck.)

     I caught myself looking around and sort of daydreaming.  Scaramouche Country Club on a pretty day can do that to you: 250 acres of lush fairway hacked out of huge stands of eucalyptus, sycamore, oak, pine, and cactus, all presided over by an imposing Spanish-style clubhouse at the top of the hill.  The most expensive golf course in the world at the time it was built, its signature finishing hole became known as “Hogan’s Alley.”  Home to generations of Hollywood’s cultured elite, the place practically radiates history.

     Bill Burt, looking like he’d just stepped out of a clothes ad, was telling a story in a stage whisper loud enough to be heard in Orange County.

     “So we’re at the 16th tee at Cypress, right?  During the National Pro-Am.  And I don’t want to throw you guys before we even get started, but I swear this really happened.”

     The crowd sort of rustled.

     “Well here’s 16, par three, two hundred and thirty-three yards, and all water tee-to-green.  You’ve seen pictures of it.  I mean, it’s the most photographed par-three ever built.  You stand on the side of a cliff, a hundred feet above the water, and the waves are crashing against the rocks down below you, and way off there in the distance is the green.

     “Anyway, this is the pro-am.  My guys weren’t doing so well, and then we came to 16.  You should’ve seen the looks on their faces.  All hell’s breaking loose down on the water, and there’s the green about a mile off, and whatever club they needed, they’re not carryin’ it.

     “Well, I managed to put a little one-iron on.  I got the next two guys to play safe:  There’s a bail-out area short and left, where you can play it like a par-four.  But the last guy…  He was a little round guy, and he’d been muttering under his breath the last few holes.  He must’ve known this was coming.

     “I tried to convince him to lay up like the other two, but no, out comes the driver.  He tees one up, and bang into the water it goes.”

     The crowd rustled some more.

     “Sure enough, he reaches into his bag and pulls out another one.  Tees it up, and into the drink it goes.  I tried to tell him he could just pick up, but he puts a hand up– not a word out of him– and reaches for another ball.  Of course it goes into the water, followed by another… and another.”

     The crowd was laughing pretty good now.

     “He was real cool about it.  Said not a word the whole time.  Then, after he’d wasted at least six balls, he reaches back into his bag, pulls out another ball, holds it up and says, real calm, ‘This is my last ball.’

     “Well, I begged, I pleaded, but it was no use.  We just stood there, transfixed, as he teed it up, made another monster swing at the ball… and topped it.”

     Huge laughter from the crowd.

     “The ball dribbled forward real slow.  I wasn’t sure it was even going to make it to the edge of the cliff.  But wouldn’t you know, it rolled just far enough to drop over the edge and down… and down onto the rocks.  And the guy– no sign of emotion at all– the guy walks back to his bag, puts the headcover on his driver, slides it back into his bag.  All very deliberate, not a peep out of him.  And then he grabs his bag– this big staff bag– he grabs it by the handle with both hands and starts spinning around, faster and faster, like a hammer-thrower in the Olympics, til finally he lets out this huge scream and launches that bag as far as he could out over the goddamn cliff.”

     The crowd was going crazy.  Burt had trouble restraining his own laughter.

     “We watched that bag just arcing out over the water, down and down, end over end.  In a way it was a beautiful sight.  And while we were watching, the guy had taken his shoes off, and pretty soon they’re on their way down, too.  And then he just marched off.  In his stocking feet.  Never said goodbye.  He just hung a left and headed for the clubhouse.”

     More side-splitting laughter.

     “But the best part,” Bill continued, holding up his hand for quiet, “the best part of all didn’t come til later…”

*

     I found my mind wondering again.  This was one of the oldest stories in golf, even if Bill Burt was doing a good job of telling it, and even if the crowd loved it.  Even if it had ever really happened, at Cypress Point or anywhere else.

     I should be paying more attention to the event I was in, I said to myself.  This was the first Tour pro-am I’d ever worked, and I could probably pick up some pointers from Bill Burt, the seasoned veteran.  I might not be able to schmooze folks like he could, but at least I could watch how he got his nervous amateurs off the first tee.

     And they were indeed nervous.  Not that it would’ve been all that obvious to someone in the crowd, but standing up close to them, you could see that they moved a little too quickly, a little too self-consciously.  They were superstars at what they did for a living, but out here they were playing my game.  I’d never hit a fastball off of Christy Mathewson McKenny, or trade punch-lines on-stage with this guy Mikey, but you wouldn’t see them knocking down fifty-foot double-breakers on a regular basis, either.

     Bill Burt’s story came to its crowd-pleasing conclusion, and, as if on cue, the air-raid siren from the clubhouse went off, signaling the start of play.  So much for the jokes.

     Bill took a leisurely practice swing and settled over his ball.  You could almost hear his measured breathing.  This big hitter, as much as the entertainment types, was the reason all these spectators had turned out.  He swung, and the ball just exploded off the tee.  (One of the things that takes some getting used to, on the Tour, is how loud a tee shot sounds when a player is surrounded by hundreds of people.  You’d almost swear it was a gunshot.)

    The ball took off low, down the right side, then arced up to the left and landed dead center, bouncing and rolling down the fairway damn near forever.  Burt usually played a high fade off the tee, but hey!  This wasn’t Sunday at Augusta, or the U.S. Open.  This was Wednesday in L.A.  This was Show Biz.  The crowd went nuts.

     Bill’s shot didn’t surprise me.  All of us on the Tour can punch it out there, and at a pro-am your job as the pro is to entertain as well as to score.  That was the reason for Bill’s big booming draw.  No doubt there’d be more of the same during the day, and more than likely a few screwy trick shots and a lot more stories and jokes to spice up the show.  No, his shot didn’t surprise me.  What surprised me was the other guys’ shots.

     The 17th hole at Scaramoucheis a long, narrow par-five: 578 yards, all uphill.  A really big hitter can sometimes reach the green in two, especially on days when the prevailing sou’wester is dead at your back.  Other days, even Superman would have to lay up.  There are tall eucalyptus trees lining both sides of the fairway, and sand bunkers short-left and front-right to snag anything you might try to sleek up there.

     So what happens?  Christy Mathewson McKenny, pride of the Dodgers’ starting rotation and holder of a supposed 17-handicap, ripped a drive smack down the center of the fairway, and long.  A 17-handicap who can launch a ball dead-center long in front of three or four hundred people?  I looked at this tall, gangly country boy and thought to myself: sure.

     Then Daniel Breck, the TV heart-throb in his late thirties, medium height and receding blond hairline, stepped up andabsolutely drilled a shot down the right side, setting up a possible approach to the green for his second shot.  I checked his handicap: 12.  Right.  His grandmother probably played to a 12.

     And last came Mikey.  I assumed he had a last name, but really hot items nowadays seem to prefer a one-word moniker.  Anyway, this guy Mikey, all five-nine (if you counted the high-heeled Foot-Joys) and maybe 150 pounds of him, took a pretty good hack and floated a ball safely down the fairway.  Not too long, but he looked like he might be fairly steady.

     The shots received a large round of applause from the gallery, and most of the crowd drifted down the fairway to follow the further exploits of that star-studded foursome.  (This was L.A., after all.  Folks came out to watch the celebrities– especially if they could play– not to see the nobodies I was teamed with.)  Bill Burt, ever the showman, held back a moment to shake my hand and wish me well.

     “Good luck, uh…”

     “Walsh,” I supplied.  “Jonathan Walsh.”

     “Right,” he nodded, smiling.  “Walsh.”  Then, in a bigger voice, obviously as much for the crowd’s benefit as for mine, “Well, good luck, Walsh.”

     “Thanks,” I mumbled self-consciously.  “I’ll probably need it.”  (And more, against sandbaggers like the ones you’re trotting around with, I might have added.)

     “Doesn’t look like he’s gonna do you much good,” Big Bill smirked, pointing at– who was it?  Oh yeah, Harris.  The talent agent.  fat, bald guy.  Dressed like a slob.  Howard Harris.  I’d have to get better at remembering names, I told myself.)

*

     There’d been some pretty serious carousing at the reception/dinner dance the night before, but even so, what  saw before me was unnerving.  Slumped down in the driver’s seat of his golf cart, chin firmly ensconced on his chest, was Howard Harris, reputedly the most powerful agent in all of Hollywood, a man whose favor was to be courted and whose enmity was proverbial, and a man who was, at the moment… sound asleep.

     “But I have to play a three!” I heard someone shout.  It was Simon D’Alembert, the film director.  Tall, skinny, almost emaciated by Hollywood standards, a head of dyed-black hair that looked like a wet mop and wearing a too-short long-sleeved dress shirt, he looked like a Gallic, golfing version of the Scarecrow in “The Wizard of Oz.”  From what I’d heard, D’Alembert had been real popular for a while, making cold-war spy thrillers, and then something happened.  Maybe he just lost it, or maybe the heavily plotted psychological dramas couldn’t compete for audience with today’s effects-driven blockbusters, but he hadn’t worked for at least ten years.  Now in his fifties, a lapse of that duration could be fatal: out of sight, out of mind.  He was yelling at our fourth partner, Grantham Llewelles.  “I always play a three!”

     “You know perfectly well you can’t play a three,” countered the movie idol from the 1950′s, holding a golf ball defiantly in the other’s face.  Llewelles was maybe seventy-five, eighty years old, but he looked like he kept himself in pretty good shape.  His chiseled features almost cried out for a camera, and he seemed to know it.  He glared at the taller man with unconcealed, though probably feigned, contempt.  “I never carry anything but threes.”

     “But you know I can’t play another number!” wailed D’Alembert.  “I fall apart whenever I have to play another number!”

     “If I may observe,” replied the old actor, playing this up for the crowd, “You fall apart anyway.  From what I’ve seen, you might as well tee up a Brussels sprout.”  Sweeping the assembled multitude with an inquiring eye, he asked loudly, “I say, would anyone happen to have a Brussels sprout to lend the gentleman?”

     “Cut the ‘friends, Romans, countrymen’ crap,” growled D’Alembert, slamming the head of his driver into the ground.  “This isn’t USC.”

     Time to intervene.  Burt’s team had already hit their second shots (and damn good ones, from what I could see).  In another minute we’d be holding things up, without ever having swung a club.  I turned to D’Alembert.

     “What’s this all about?”

     “My ball, ” the director whined.  “I always play a Titleist 3.  It’s my lucky number.”

     “I’m terribly sorry,” offered Llewelles haughtily, staring up at the sky.  “All I’m carrying are threes.”

     D’Alembert leaned toward me.  “He pulls this shit every year.  He knows I can’t play another ball.”

     “I thought you guys were supposed to be on the same team,” I answered.

     “Team?” he spat at me.  “Oh sure, we’re on the same team.  And every year he pulls this  crap with the balls, and throws me off my game.  Then the rest of the year he can tell everybody how I blew it for the team.”

     Llewelles turned to us.  “I suppose I should resolve this, a man of my age?  Maybe I could walk back to the clubhouse and buy some new balls.  Would you like me to buy lunch, as well?”

     “Okay, look,” I half-barked.  I tossed my own ball at Llewelles.  “Here.  You’re now playing a Titleist two.  Okay?”

     The old man, snagging it nimbly in mid-air, turned it over and over in his hand.  What was he expecting, an X-out?  “I normally play a 90 compression,” he said, sounding disappointed.

     Good Christ.  “It’s a warm day,” I said.  “You’ll never notice the difference….  Now, can we play?”

     Llewelles paused for a moment, then looked up at me and smiled.  “Certainly.  I’d hate to think we might be holding things up–”

     “I wish he didn’t always have to fuck with my head,” muttered D’Alembert.  “Just once, just one of these years I’d like to be able to come out here and enjoy myself a little.”

     “Perhaps a little side wager would spice things up,” the older man chuckled.  “Say, a hundred dollars a side?”

     “I’m not betting against someone with one foot in the grave and a 25-handicap,” growled D’Alembert.

     “Twenty-four.”

     “Gentlemen,” I interrupted.  “Could we please get started?”

     Llewelles bowed theatrically to me.  “Certainly, Mister Walters.”  Then, turning to D’Alembert, he whispered, “Twenty a side, and I’ll putt left-handed.”

     D’Alembert and Llewelles moved up to the tee blocks while I walked over to Howard Harris’s cart.  I gave the fat, bald guy’s shoulder a vigorous shake.  No response.  I shook him again, harder, but when I let go he simply slumped over onto the passenger’s seat, dead to the world.  Great.  How much could he have had to drink last night, anyway?

     D’Alembert and Llewelles, having hit their tee shots (weakly, but straight), yelled over at me.  I hesitated, not wanting to abandon Harris.  I wasn’t real sure what official Tour policy was when it came to dealing with unconscious teammates.  I glanced over at my caddie, Shipwreck, but he was calmly staring off into the distance, sucking on a popsicle.

     “Come on, Wallace!” yelled D’Alembert.  “We haven’t got all day!”

     “Yeah, but–”  I motioned to the slumbering talent agent.

     “He can ride the first few,” suggested Llewelles.  “He’s no good on the long holes anyway.”

     That seemed like decent approach, saving face all around, so I dragged Harris’s heavy body from the driver’s seat over to the passenger’s seat, figuring that I could drive while he slept.  Harris promptly toppled over onto the driver’s seat.  I sat him back up, pushed his shoulders back to keep him upright, and then noticed that there was blood all over my hands and arms.

     “Come on, Walker!” yelled D’Alembert.

     “Wait!” I yelled back.  “I think this man’s hurt.  Pretty badly.”  I looked at Harris in horror.  “He might even be dying!”

     “No such luck,” said Llewelles flatly, peering down the fairway for his ball.

     I looked around frantically and yelled for a marshall, but they’d apparently all wandered off with Bill Burt.  I took a deep breath, then sent Shipwreck over to the first-aid station by the 7th tee.  I called out to the crowd for a doctor or a policeman.

     “Can we step on it, Walker?” muttered  D’Alembert peevishly.  “We’re falling behind.”

     “I’m sorry, sir, but I really think this man’s dying.”

     “Well, if he’s dying, he’s certainly no use to us, is he?”

     “But I can’t just leave him.”  I called out again for a doctor.

     “He’s never any help, anyway,” said Llewelles.

     I was starting to panic.  “Look, Mister Llewelles–”

     “Grant.  Please, call me Grant.”

     Just then a clean-cut-looking guy about thirty years old, brown hair, medium height, watery brown eyes, and a smile on his face strolled up.  “Did somebody call for a doctor?”

     God, was I relieved.  I waved him toward the fat man in the cart.  Together we pulled Harris out of the cart andlaid him on the ground.  I don’t know why, but the thing I remember noticing was how cheap Harris’s clothes were: faded red knit shirt, rumpled khaki slacks, cracked brown golf shoes, short olive socks that had fallen down around his ankles.  I hate floppy, ankle-hugging socks.

     D’Alembert glared down at me.  “May I remind you: I put good money on this team in the calcutta last night.  Five hundred dollars to place–”

     “Utter folly,” chuckled Llewelles.

     “And if I’d known you were gonna try to weasel out on us–”

     “This man’s dying!” I screamed up at him.

     “No, he’s not,” the doctor murmured.  “He’s already dead.”

     “So now can we get going?” demanded D’Alembert.

     “He was never any help, anyway,” repeated Llewelles.

     “Look,” I said, staring D’Alembert straight in the eye, “go ahead without me.  I’ve got to see that this gets taken care of.”

    D’Alembert shook a bony finger at me.  “I’m not going to forget this, mister.  This is mighty unprofessional behavior, abandoning your team like this.”

     Llewelles turned D’Alembert aside before I snapped back at him.  A moment later the old actor hustled back, straightened his ascot, and whispered, “Could you catch up to us?  Maybe at the 1st tee?  It’s a good birdie hole for you young chaps.”

     I said I’d see what I could do.  Turning back to the doctor, I asked him if he was sure Harris was dead.

     “Oh, yeah,” he said softly, kneeling on the grass beside the body.  “I mean, I’m not a real doctor, but I’ve played enough of ‘em, and this guy’s definitely bought it.”

     It took a second to sink in.  “Wait a second.  You’re not a doctor?  You just play doctors?”  I shuddered.  “Don’t tell me….  Oh Christ….  You’re a—”  I could hardly bring myself to say it.  “You’re a goddamned actor?”

     “Right,” the guy beamed at me.  “The name’s Cox, Brent Jay Cox.  Great to meet you.”  He stuck out his right hand.  I shook it.  (What was I supposed to do?”

     “Hold it,” I said.  “This is nuts.  You’re not a doctor, you’re an actor.  What the hell good’s an actor gonna do here?”

     “Well, what the hell good’s a doctor gonna do here?” he countered.  “The guy’s dead.”

      “But this isn’t acting class.  This is a real human being.”

     “Was.  Was a real human being.  Though, if this is who I think it is, you could’ve gotten a lot of disagreement on that.”

     He must’ve sensed my feeling of helplessness.  He dropped the flip tone, grabbed my wrist, and stared into my eyes.  “Look, I know you feel kinda devastated by this, but we can work through it.  I’ve played lots of doctors.  Mostly daytime TV.  Anyway,  know the routine.”

     “The routine?” I shrieked.  I think at that point I was starting to get hysterical.  “There’s a bit more to it than ‘the routine’!”

     Before I knew it, he’d reached out and slapped me across the face.  I fell back on my heels.  I couldn’t believe this was happening.  Then he flicked back on that southern California actor’s smile.

     “Got your attention, didn’t I?  See?  I know what I’m doing.”

     “But–”

     “Think about it.  Who would you rather have right now: someone who’s used to playing take-charge emergency-room heroes in desperate life-or-death situations, or some proctologist from Tarzana?”  I must’ve balked or something.  “Figure it out,” he said.  “You don’t need a sheepskin to recognize basic symptoms.”

     “Basic symptoms?” I repeated.  “Like what?”

     He shrugged.  “Like this bullet hole in the side of his head.  I don’t know about you, but that sorta jumps right out at me.”

     “Bullet hole?  You mean… you mean, this could be a murder?”

     Brent Jay Cox (who’d probably played coroners, too, for all I knew) stretched out on the grass.  “Unless he shot himself.  I’d kinda doubt that, but then I’m not an expert.”

     “No, I wouldn’t think you were,” came a voice from the crowd.  A small, slim, nervous-looking man in a blocky, dark-blue business suit, slicked-back black hair, and an angry glare in his eyes, parted the crowd.  “Stansfield, Los Angeles County Sheriff’s Department,” he grumbled, waving a badge.  He stared down at the body for a moment, then at Cox, then turned his attention to my blood-stained hands and arms.  Looking up at me, he asked quietly, “Who might you be?”

SHOTGUN START

 

SHOTGUN START is a murder mystery set at the Los Angeles (golf) Open.

The narrator, 29-year-old second-year Tour pro Jonathan Walsh, is trying to win his first tournament and, at the same time, clear himself as a suspect in the murder.

The story takes place between Wednesday noon and late Sunday evening.

Included here are the first two chapters (about 30 pages).

[ The whole book is 100,000 words, which isn't real long for a novel, but a heckuva lot more than I want to type, all over again.  Unfortunately, I can't just paste the MS Word files into this blogging software. ]

But if you like what you see, I’d be happy to send you a complete MS Word version of the book.  Email me at:  john@johnsheridanmorris.com.